Originally published on Wed July 15, 2015 12:48 pm
The issue of how much musicians theoretically earn from their work has moved out of the trade press and into social media's trending topics recently, whether that's Taylor Swift demonstrating her clout via a successful protest of Apple Music or Jay Z's Tidal promising artists higher royalty rates than other streaming services. In the background of these debates is the question of whether songwriters and performers are actually getting all the money they're owed.
Teri Gender Bender, founder and lead singer of garage punk outfit Le Butcherettes, has one of the best stares in showbiz. As demonstrated in her supremely memorable Tiny Desk Concert, Gender Bender (Teresa Suárez by birth) makes direct and unblinking eye contact with individual audience members and the camera, confronting and reversing the viewer/performer dynamic.
Punk is not typically where one turns for mature thoughts on self-care and ending relationships in a healthy manner. But Columbus, Ohio quartet All Dogs is not where one turns for typical punk. The band makes punk music, but calls its songs "loud pop songs," and that's exactly right, too. The vehicle is loud guitar, unpolished but affecting vocals and fuzzy garage drums, but the destination is upbeat, catchy anthems with lyrics that are destined to be memorized before the end of the song.
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LYNN NEARY, HOST:
Usually when we have the hosts of NPR's Alt.Latino on this show, they bring music from every corner of Latin America, almost always with an alternative accent. But this week, Felix Contreras and Jasmine Garsd have brought something a little different.
When the first Palestinian uprising began in the late 1980s, the images from the intifada showed exploding tear gas canisters launched by Israelis, answered by Palestinian youngsters shooting slingshots and hurling rocks. A photographer snapped a photo of a boy with tears in his eyes, an 8-year-old named Ramzi Aburedwan. The image came to represent the rage and frustration of life in the refugee camps. But although his face was famously stuck in time, Ramzi's life changed dramatically when he was introduced to music at age 16.
Originally published on Mon July 20, 2015 10:42 am
Tame Impala's Kevin Parker is a relentless tinkerer: His songs have an impeccable, fussed-over quality, to the point where fussy impeccability could easily seem like the sum total of his mission. Sounding great and being great are two vastly different features in the ever-subjective world of rock 'n' roll, after all, and yet the Australian band's best songs have found ways to check both boxes.
It sounds like a dream: Two old friends, supporting each other from afar, both carve out stellar reputations in the music industry. Then, when they're established enough to call the shots, they band together. For two musicians, it's what really happened.