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Lambert, who just put out her seventh album, Wildcard, has closed the gap between serious singer-songwriter and arena-rocking entertainer to become the most riveting country star of her generation.
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The country supergroup will release its self-titled debut on Sept. 6. Hear the first single, "Redesigning Women."
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Miranda Lambert shares a cute-as-hell country bop and a total barnburner. "It All Comes Out In The Wash" and "Locomotive" are Lambert's first solo offerings in three years.
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Taking on all manner of "shouldn'ts" is a specialty of Lambert's, whose body of work knowingly disobeys the rules of feminine decorum. Who else has been more strong-willed and sisterly at once?
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One day after performing the songs in Nashville, the country supergroup has released all three digitally ahead of the release of its new album, Interstate Gospel.
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Earlier this decade, it seemed like country's political streak had faded. But in the past five years, a handful of artists have displayed a renewed focus on morality that feels quietly revolutionary.
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With a new double album, the country star stands at the center of her own story. Insistently personal and empathetic, it's her most cohesive release yet.
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For listeners expecting an airing of dirty laundry, Lambert's new single might feel like a sophisticated sucker punch. Instead of bitterness, "Vice" tells a tale of heartache-fueled self-destruction.
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Forget tomatogate. Put aside the still-fresh news of her divorce. When Miranda Lambert played the tiny stage at Nashville's 3rd & Lindsley last week, she put the focus on fellow female songwriters.
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3rd and Lindsley, a performance space for big and small acts in Music City, lets the music shine by keeping things (like its name) simple.