Flip through the radio stations in your car or visit the mall this month and you’ll probably hear “I Want a Hippopotamus For Christmas” a time or two. The song was recorded in 1953 by then 10-year-old Oklahoman Gayla Peevey. The song’s popularity helped raise enough money to adopt Matilda, the Oklahoma City Zoo’s first hippo. KOSU's Nikole Robinson Carroll had a chat with Peevey for the 60th anniversary of the song’s release.
The fun, aggressive pop band BRONCHO is reminiscent of both The Ramones and Weezer. Straddling the line between pop and punk, the band's 2011 debut Can't Get Past The Lips has 10 songs but clocks in at just 20 minutes.
The Blues: When most people hear it they think of Memphis or Chicago or New Orleans even Kansas City. But, there’s a resurgence of the blues in Oklahoma focusing on the present as well as the past.
Just off I-40 and Highway 69 north of Checotah sits the small town of Rentiesville. The historic black town of just 99 people includes the Oklahoma Blues Hall of Fame in an old bar which opened in 1936.
Each month, we ask public radio DJs from across the country to share their favorite new songs. Usually, we stick to a handful, but since April is Public Radio Music Month, we're celebrating with a 10-spot.
Larry Groce, host of NPR's Mountain Stage, which is produced by West Virginia Public Broadcasting
Rita Houston, the program director at WFUV in New York City
Originally published on Wed January 9, 2013 12:40 pm
David Dye has been hosting WXPN's World Cafe for more than 20 years. With new artists performing in the show's studios every day, Dye gets to witness firsthand the best music each year has to offer. Here are his 10 favorite songs of 2012:
This is what 2012 sounded like streaming on our phones, blasting through tiny laptop speakers, booming wirelessly in our living rooms and spinning on vinyl while hanging out with friends. These are the songs that made us smile, made us cry, put our hands in the air, cracked us up, lodged in our brains, caught us dancing in our chairs and brought us back down to earth.
Originally published on Tue December 18, 2012 5:18 pm
Folk singer John Fullbright got his start at the age of 16, playing at small venues in his native Oklahoma for tips and the occasional free meal. "I'd stand up there and play until my voice was gone, which sometimes would take three hours. Sometimes it'd take longer," Fullbright says. "But that's where I really learned to scream."
Do you really need to go to school to learn about rocking out? Many musicians might say no: Lock yourself in your room with a bunch of records and a guitar, put in your days on the road playing in scummy clubs, and you'll master the craft eventually.