Autumn Northcraft

This is Sample Size, our weekly new music feature with KOSU's Ryan LaCroix and LOOKatOKC pop music columnist Matt Carney.

Today, we have a synth-pop track from Small Black, a collaboration from DJ Spinn, the late DJ Rashad and Danny Moore, and a guitar heavy track from Shunkan.

Follow Matt & Ryan on Twitter at @OKmattcarney and @KOSUryan.

Today, on our All Songs +1 podcast, we're doing something a bit different. It's a conversation between two people we love, Sharon Van Etten and Mimi Parker from the band Low, about being a mom and being in a rock band.

PWR BTTM's vowel-less moniker boldly announces its intentions, with the power out front and the silliness below. The name's striking, Google-able, and helps Liv Bruce (drums/vocals) and Ben Hopkins (guitar/vocals) take control of their personal narrative. "As queer people, a lot of our lives are prescribed for us in terms of who we 'can' be in pop culture," Hopskins told Overblown.

Kowloon Walled City's bummer jams are bona fide: Just hit play and proceed to heave your body in sadness. But on its third album, Grievances, the San Francisco noise-rock band isn't always obvious in how it chooses to be heavy.

Rhode Island singer-songwriter Elisa Coia has a room-silencing voice, but she's not afraid of machined gloss. It's the combination of timeless vocal talent and a millennial's ease with technological flourishes that makes this R&B newcomer's latest single, "These Days," take flight.

Trouble Sleeping? A Composer Wants To Help

Sep 3, 2015

British composer Max Richter spent about two years writing and recording a piece of music which, if it's successful, few people will hear in full. It's a composition called Sleep and it runs eight hours long — the perfect length for a good night's rest. The full version of the piece will be released as a digital album Friday.

There was a clear path laid out for Gary Clark Jr. If he'd wanted, he could have allowed himself to be crowned the young, African-American savior of 21st-century blues guitar.

It's too soon to tell whether Outskirts Of Love is the end of a trilogy or simply the next chapter in an ongoing saga. All we know for sure is that it's the third album to find Shemekia Copeland extending her definition of modern blues to include a sort of pan-Americana approach. Her first few records hewed closer to contemporary blues, but since 2009's portentously titled Never Going Back, the daughter of the late Texas blues-guitar titan Johnny Clyde Copeland has been moving in a wider world.