In the music of Alcest, beauty reigns above all. Even in the French band's early days playing gauzy black-metal, attention was paid to the curves of song and sound. From 2014, Shelter departed completely from Alcest's metallic roots for shoegaze, a conscious move on mastermind Neige's part that, while pretty, was airy in its noticeable lack of heft.

They came, they measured, they built and they plotted. But first, they had to borrow a few things from the NPR office.

Blue Man Group designed new instruments and a small-scale show solely for a one-time performance at the Tiny Desk. Celebrate the group's 25th anniversary with this musical and comical adventure, which you can watch this Monday, Sept. 26, at

At noon on Oct. 8, 2016, the performance artist Taylor Mac will take the stage at St. Ann's Warehouse in Brooklyn, N.Y., with a full orchestra and backup singers — 24 musicians total. They'll begin singing American songs from the year 1776. Each hour, one person will leave the stage — and each hour, history will advance one decade, without a break. By midday on Oct. 9, Mac will be the only one left on stage, singing songs from the present day.

It's a show that Mac has spent years developing, called A 24-Decade History of Popular Music.

If there's one piece by Chopin that can truly be called "trippy," it's the Mazurka in A minor, Op. 17, No. 4 – especially in this spellbinding performance by pianist Pavel Kolesnikov. The young Russian has just released a new album of Chopin's Mazurkas, arranged not chronologically but by mood and texture, flowing like a mixtape.

For the past 25 years I've had this notion that on every successive Leonard Cohen record his voice would get deeper and deeper until one day he'd put out an album so subsonic that you'd just feel it, not hear it. Well, we're close. On this day, Leonard Cohen's 82nd birthday, he's given us a gift: It's dark, it's beautiful and it's deep. "You Want It Darker" is the title track to his soon-to-be-released album, his 14th studio album in his 49-year recording career. The album of nine songs, out Oct. 21, is produced by his son, musician Adam Cohen.

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The Americana Music in Nashville is never quite what I think it will be. This week's All Songs starts with Yola Carter, a British singer of mixed race. Next is the white Australian C.W. Stoneking, sounding like blues legend Willie Dixon. The third song on the show is by Marlon Willams, a soulful young New Zealand singer. The common thread as we explore the newest and most promising voices at AmericanaFest is a love of folk, country, roots music, but how that gets interpreted varies, and that's where the fun is.

To the people that knew and played with him, the late guitarist Jack Rose was a towering example of virtuosity and dedication, interweaving ragtime, pre-war blues, raga and American primitivism. When he died of a heart attack in 2009, he left a huge gap in communities worldwide that almost seven years later no other player has been able to fill — as evidenced by a new wave of reissues that cement Rose's visionary status: On Sept.

Margo Price has had an incredible year, but there's a long story to be told leading up to Midwest Farmer's Daughter. The country singer-songwriter will join NPR Music's Ann Powers during AmericanaFest, along with friends and collaborators who have made East Nashville such a thriving hub of roots music. Everyone will share songs and stories in-the-round, with a live webcast on this page on Sept. 21, starting at 12:30 p.m. ET.

Don Buchla believed in the humanity of wires. The modular synth pioneer created an instrument like none other, one that relied on intuition, learning and, most importantly, human touch. He died September 14 after a long battle with cancer at the age of 79.