Music

The members of Spandau Ballet were just teenagers when the new-wave band started in late-1970s London. The band gave the world the karaoke staple "True," sold more than 25 million albums, and looked fabulous while doing so. So fabulous, in fact, that journalists dubbed the group "New Romantic."

Bikini Kill, the feminist punk band at the forefront of the '90s riot grrrl movement, are about to reissue something few people have heard. The group's very first demo, Revolution Girl Style Now, is coming out not only in its original cassette format, but also on CD, vinyl, and digital formats.

This week's Drum Fill Friday comes courtesy of Shaun Fleming, drummer for Foxygen and frontman for the band Diane Coffee. Fleming has an unabashed love of late-'60s psychedelic rock and pop, and you can hear as much in the fills he picked here. But he also threw in a few surprises from the '70s and '80s. I'd give it three out of five stars for difficulty.

This week Atlanta band Deerhunter announced its forthcoming seventh album, Fading Frontier, and released its first single and video, the swaggering "Snakeskin." The new album is a polished, propulsive turn for the group, fronted by eccentric and charismatic lead singer Bradford Cox.

Opposites attract in songs by siblings Tyler and Maggie Heath, who perform as the folk duo The Oh Hellos. Their instrumentation and singing are exuberant, just this side of ecstatic, even though their lyrics deal with wandering, grief and regret.

Beach House works with a simple set of ingredients — a few vintage keyboards, programmed drums, an electric guitar and the drowsily alluring voice of Victoria Legrand — to evoke a specific tone that rarely varies. And yet Depression Cherry, the Baltimore duo's fifth album in the last decade, still feels vibrant and versatile. There's sticking to a formula that works, and then there's teasing out its subtleties in surprising, consistently rewarding ways.

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