Julian Petty With Ali Shaheed Muhammad And Frannie Kelley
The following should not be construed as legal advice — just good advice. We asked Julian Petty, who represents Ali, Earl Sweatshirt, Vince Staples and the estate of Biggie Smalls — and at one time worked with Michael Jackson, Prince and Stevie Wonder — to come see us at Microphone Check as part of our continued effort to put ever more people on game.
In his new memoir, Deal, drummer Bill Kreutzmann tells a story about the Grateful Dead's tour of Egypt. Instead of filling hookahs with "black, gooey tobacco," the band "filled the entire hookah with hash. No tobacco!" In the midst of Middle East trouble, the Grateful Dead's members were unwitting ambassadors of American culture.
"Everybody had fun," Kreutzmann tells NPR's Steve Inskeep. "Yes, indeed."
In June of 1991, a rap album by N.W.A. hit the top of the Billboard 200 albums chart for the first time in history. Derek Thompson of The Atlantic writes that music historians have long determined this to be a hugely important moment for pop music.
Ladysmith Black Mambazo's latest song, with Malian singer Salif Keita, is a plea for peace in South Africa, which has been grappling with the fallout from deadly violence against immigrants from other parts of Africa.
Holly Herndon works in a post-human mode that's become customary in electronic music, yet remains abstract in realms beyond. Voices figure heavily in Platform, her follow-up to a breakthrough album in 2012, but they're spliced, diced, dissected — too processed, in any case, to suggest origins in a fleshy human being with dynamic feelings and moods.
Throughout a long and varied career, Jim O'Rourke has approached music the way a watchmaker might approach complications, the catch-all term for parts of a timepiece that go beyond simply telling the time.