Tom Moon

Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.

He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.

A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.

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First Listen
11:03 pm
Sun March 8, 2015

Review: 'Seth Avett & Jessica Lea Mayfield Sing Elliott Smith'

Seth Avett & Jessica Lea Mayfield Sing Elliott Smith comes out March 17.
Crackerfarm Courtesy of the artist

Originally published on Tue March 17, 2015 10:42 am

Working as a music journalist means that some days you get to tell people, in breathless prose, about an incredible new record you've discovered. On other days, you have to tell people that an artist you've followed and respected for years is no longer living. That part is never any fun. Listening to the hushed, elegantly spare Seth Avett & Jessica Lea Mayfield Sing Elliott Smith, I found myself transported back to the period right after Smith died, of apparently self-inflicted stab wounds, in 2003.

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Music Reviews
4:10 pm
Tue March 3, 2015

Music Review: 'Soyo' By Dom La Nena

Originally published on Tue March 3, 2015 6:25 pm

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

ROBERT SIEGEL, HOST:

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First Listen
11:03 pm
Sun February 15, 2015

First Listen: Dan Deacon, 'Gliss Riffer'

Dan Deacon's new album, Gliss Riffer, comes out Feb. 24.
Frank Hamilton Courtesy of the artist

Originally published on Wed February 25, 2015 10:07 am

The glissando (gliss for short) is a musical term describing the sound of an instrument as it glides from one pitch to another. A favorite trick of jazz hornmen and slide guitarists, the gliss can be a woozy, gleeful sound or a mournful one. When executed by a virtuoso violinist, the notes between the start and the finish of the gliss blur together into a gorgeous, ribbonlike swoop of sound.

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First Listen
11:03 pm
Sun February 8, 2015

First Listen: José González, 'Vestiges & Claws'

José González's new album, Vestiges & Claws, comes out Feb. 17.
Malin Johansson Courtesy of the artist

Originally published on Tue February 17, 2015 9:42 am

He asks a lot of questions, this José González.

He opened his last album, 2013's band project Junip, with a thought experiment Nietzsche could love: "What would you do if it all came back to you?" The song, "Line Of Fire," dwells in a mood of idle 3 a.m. musing; González tosses out existential/metaphysical conundrums like he's feeding bread to ducks — casually, without worrying much about concrete answers.

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Music Reviews
5:26 pm
Tue February 3, 2015

Dylan The Crooner

Detail from the cover art of Bob Dylan's new album-length Frank Sinatra tribute, Shadows in the Night.
Album cover

Originally published on Wed February 4, 2015 11:02 am

Bard. Voice of a generation. Bob Dylan has been called many things over the years. With his new album, Shadows in the Night, the 73-year-old aims for another title: crooner.

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First Listen
11:03 pm
Sun February 1, 2015

First Listen: The Districts, 'A Flourish And A Spoil'

The Districts' new album, A Flourish And A Spoil, comes out Feb. 10.
Ryan Farber Courtesy of the artist

Originally published on Tue February 10, 2015 2:16 pm

Countless bands perform a variation on the medium-uptempo edge-of-rage eruption perfected by the likes of the Pixies and Green Day. It's become so ubiquitous, you almost don't have to listen: It's possible to get a headline-news sense of the song without fully apprehending the words. The spike in the guitar attack and the rawness of the vocal help telegraph the outline of a narrative: Here we are in the aftermath of a relationship in turmoil. Trust is broken. Someone's been wronged. Wounds are fresh.

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First Listen
11:03 pm
Sun January 18, 2015

First Listen: Jessica Pratt, 'On Your Own Love Again'

Jessica Pratt's new album, On Your Own Love Again, comes out Jan. 27.
Colby Droscher Courtesy of the artist

Originally published on Tue January 27, 2015 12:09 pm

"Night Faces," the opening track from Jessica Pratt's extraordinary 2012 debut, showcased a singular ability to transform a worn-out cliche into something stirring. Just through the choices she made as a singer.

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First Listen
11:03 pm
Sun January 4, 2015

First Listen: Dan Mangan + Blacksmith, 'Club Meds'

The new Dan Mangan + Blacksmith album, Club Meds, comes out Jan. 13.
Courtesy of the artist

Originally published on Wed January 14, 2015 10:39 am

You can tell a lot about a songwriter by what occurs in the space between verses. Many writers — hacks and gifted souls alike — will treat an instrumental expanse as a kind of please-stand-by strumming wallpaper, a palate cleanser for the ear. In this strategy, derived from folk music, the focus remains forever on the narrative; the "action" in a song directly depends on the voice.

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Remembrances
5:07 pm
Tue December 2, 2014

Rolling Stones Saxophonist Bobby Keys Dies

Originally published on Tue December 2, 2014 6:24 pm

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

MELISSA BLOCK, HOST:

Saxophonist Bobby Keys was still a teenager when he started playing with his fellow Texan Buddy Holly and pop star Bobby Vee. Later, he joined up with the Rolling Stones. And for more than 40 years, Bobby Keys' powerful sax was a key part of their sound.

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First Listen
11:03 pm
Sun October 26, 2014

First Listen: Bob Dylan, 'The Basement Tapes Complete: The Bootleg Series Vol. 11'

The Basement Tapes Complete: The Bootleg Series Vol. 11, a compilation of unearthed recordings by Bob Dylan, comes out Nov. 4.
Elliott Landy Courtesy of the artist

Originally published on Wed November 5, 2014 9:43 am

The dog's name was Hamlet.

He lived at the house known as Big Pink, in the woods near Woodstock, and during the summer of 1967, responsibility for his care was shared by Bob Dylan and members of The Band. Hamlet was on the scene during the fruitful recording of The Basement Tapes, part of the storied atmosphere that led to one of the most vivid chapters in American music.

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