Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

Depending on who you are and how your heart is built, you might know this modus operandi well: it's easier to be nice to other people than to yourself. If that's an idea you can relate to, you'll find something in common with Erika Wennerstrom. She says each song on her new album Sweet Unknown is a mantra about being kinder to yourself.

If you hate fun, now would be the time move on to another session. My guests on the show today are the members of Squirrel Nut Zippers.

Before the release of her latest LP, The Lookout, Laura Veirs revealed some stats about its creation, in the form of hand scribbled post-it notes shared on Instagram. Among those are the first word sung on the album ("scuttling"), the last word ("fire"), and the number of children who appear on the recordings (three).

Here's something you don't hear every day: a young person makes a record about the value of kindness and compassion. My guest in this session has done just that. Her name is Courtney Marie Andrews and her latest album is called May Your Kindness Remain.

Some say the glass of 2018 is on-quarter empty; others say the glass is three-quarters full. We say, "Wow, we've had some incredible artists perform in 2018 on World Cafe and it's only April!" So cheers to them!

Every day I talk to artists about the winding and sometimes tricky roads they travel to make a career in music. But I've never heard a "how-I-got-here" story quite as remarkable as the one that belongs to today's guest.

It's hard not to smile watching Brett Dennen do his thing. He bounces around the stage, all six-foot-five of him, red hair flopping about, playing songs as if he's entertaining outdoors in the sunshine of summer camp like he used to do in his very formative past career as a camp counselor.

Many artists wait for the day they can stop working as servers and make a full-time living as musicians. Today's guest, Nathaniel Rateliff, is a platinum-selling artist whose generosity onstage makes the music business seem like the service industry. Nathaniel pushes his vocal cords to their very brink, rips open his rib cage to share his heart and leads his seven bandmates with absolute passion – all in service of making sure his audience has a good time and feels something.

When an artist has a hit as huge as "Jessie's Girl," from 1981's Working Class Dog, they can become immortalized in pop culture memory and maybe even frozen in time. They can get flattened, too. But we all know that there's much more to a career artist than the big hit, and there's more to a person than what they do for a living.

My first experience attending SXSW was like running around the most generously stocked international grocery store with a bottomless cart and an unlimited budget. But for my musical ears.

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