Stephen Thompson

Last month, Mutual Benefit released an album-length cover of Vashti Bunyan's 1970 classic Just Another Diamond Day — an act of tribute initiated as part of an ambitious series by the website Turntable Kitchen.

The Lone Bellow's earnest and magnetic folk-pop was built to shake the rafters: It's hooky and rousing and performed with absolute commitment. It has been since the beginning, from the band's charming, self-titled 2013 debut through the Aaron Dessner-produced Then Came The Morning two years later. And, if a new song called "Time's Always Leaving" is any indication, it'll carry on through the release of The Lone Bellow's third album, Walk Into A Storm.

Rainer Maria's story began in Wisconsin and, at least for a time, ended in New York. In the interim, a span stretching from the mid-'90s to the mid-aughts, the band found and refined the sound it was born to play: a tense, wordy, emotionally wound-up bundle of jagged guitars, literary references and vocals that could harmonize beautifully or crash into each other discordantly. Rainer Maria's songs exuded raw, life-and-death drama befitting the group's youth, and every second felt unabashedly sincere.

Matt Pond PA has been churning out charming power-pop songs for nearly 20 years — a run that will extend to 12 full-length albums when the band releases Still Summer on August 11. Its arrival will mark a major milestone in a long and creatively fruitful career: Once tours for the new record have run their course, singer-songwriter Matt Pond is effectively breaking up the band, dropping the "PA" and carrying forward with new projects.

Musicians cover each other's songs often enough that the results rarely qualify as news. But covering a whole album, song for song? That's a labor of love ambitious enough to warrant attention.

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