Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

Every year around this time, many of us on the All Songs Considered team — including Bob Boilen, Robin Hilton, Ann Powers and me — each dredge through nearly 2,000 MP3s by bands playing the SXSW Music Festival in Austin, Texas. And every year, we wind up missing something. In pursuit of music by thousands of bands, hundreds slip past our radar altogether.

Eric Bachmann has reinvented himself several times in the last quarter-century: After breaking through in the '90s, with the jagged, sneering indie rock of Archers Of Loaf — and releasing an album of rock instrumentals as Barry Black — Bachmann took on the name Crooked Fingers, which he's used for solo works, experiments and full-band explorations.

Michigan singer-songwriter Chris Bathgate takes just enough time off between records that he needs to be reintroduced every time he resurfaces. His 2011 album Salt Year followed a four-year gap — watch him perform a few of its songs at the Tiny Desk — while its forthcoming follow-up, an EP called Old Factory, took nearly five.

On paper, Damien Jurado seems like just another sad guy with a guitar, but his discography is incredibly varied: Sure, he's cut his share of sad-guy acoustic ballads, but he's also wandered down an exciting assortment of detours, and his sound has only grown more expansive and searching with time.

We get a lot of mail at NPR Music, and alongside the checks for people who aren't us is a slew of smart questions about how music fits into our lives. This time around: thoughts on music's odd and ever-changing relationship with Canada.

We get a lot of mail at NPR Music, and alongside the assortment of coloring books for grownups is a slew of smart questions about how music fits into our lives. This time around: thoughts for an engaged couple who can't decide on their first wedding dance.

We get a lot of mail at NPR Music, and alongside a new Wii U game that cost more than our gas bill is a slew of smart questions about how music fits into our lives. This time around: thoughts for parents who seek the mental energy to love music the way they used to.

It's one thing for Low to have made a rewarding career of spare, dramatic, glacially paced music — for song after slow-moving song to have been constructed out of little more than crystalline guitar lines, minimal bass, maybe a few effects here and there, brushes of snare and the alternating or intertwined voices of Alan Sparhawk and Mimi Parker.

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