Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton curates NPR Music's First Listen series, a weekly showcase of select albums you can read about and hear in their entirety before they're officially released.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as an interpreter for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is also a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and in films, including the documentary Open Secret. Hilton also arranged and performed the theme for NPR's Weekend All Things Considered. You can hear more of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

When Conor Oberst started releasing music more than 20 years ago, first as a solo artist and later as Bright Eyes, he was just a teenager from Nebraska. Everyone marveled at how a kid could write and record at such a breathlessly prolific pace, producing inspired, sonically adventurous songs with a wisdom and world view beyond his years. Now just in his mid-30s, he's already a veteran, with dozens of albums and EPs behind him.

While Bob was gallivanting about Nashville last week for AmericanaFest, I was hiding under a pile of covers fighting a case of Hand-Foot-And-Mouth disease (it's as Medieval as it sounds). But show business never sleeps, which means Bob made it back home, I recovered and we're back in the studio this week to geek out over our favorite new music.

A new David Bowie box set released late last week includes a complete (and remastered) version of his long-lost album, The Gouster. Bowie originally recorded the album in 1974, but eventually shelved the project. Reworked versions of "Somebody Up There Likes Me" and "Can You Hear Me" wound up on 1975's Young Americans. Other tracks, like "It's Gonna Be Me" and "John, I'm Only Dancing (Again)," trickled out in various forms in the years that followed. But this is the first time Gouster's full track list is available to hear as it was originally intended.

The gang's finally back together! And by gang we mean hosts Bob Boilen and Robin Hilton, who find themselves in the studio together for the first time in a month. With the summer break finally over, the two return with this week's essential mix, from both veteran artists and new discoveries.

Regina Spektor is back with another preview of her upcoming album, Remember Us To Life. Her latest song is a gorgeous, soaring ode to love and heartache called "Black And White."

After a ten-year break, Grandaddy is back. The Modesto, Calif. band has signed with Danger Mouse's 30th Century Records and released two new songs, "Way We Won't" and "Clear Your History." The group has also officially announced a new full-length album coming sometime next year. It's the first new music from Grandaddy since 2006's Just Like The Fambly Cat. From the sound of the new songs, the band has lost nothing in the years since.

The Pretenders are back with the band's first new album in eight years, this time collaborating with The Black Keys' Dan Auerbach as producer. The album is called Alone, and the first single is a jangly pop cut with arpeggiated synths and quirky guitar riffs called "Holy Commotion!"

When we settled into the studio for this week's All Songs Considered, a clear theme quickly emerged: We had a whole lot of music by artists we already adore! This includes a rare acoustic demo by R.E.M., a glorious new electro-pop cut from Sylvan Esso, a heartbreaking tribute song from Sharon Van Etten and more.

The latest single from Kishi Bashi is a synth-heavy, pulsing pop song full of both drive and heartache. "Can't Let Go, Juno," like many of the songs on Kishi Bashi's upcoming album Sonderlust, documents a difficult period the violinist and looper went through — both with his music and in his personal life. "Every time my phone lights up," Kishi Bashi sings, "My heart keeps skipping enough to give up / You know the better days still remain / Cannot be insane forever."

Back in March, both President Obama and first lady Michelle Obama spoke at the South by Southwest music festival in Austin, Texas. Now, inspired by the trip, the Obama administration is collaborating with SXSW to host a miniature version of the festival at the White House.

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