Jewly Hight

Bobby Osborne is trying to find his way back to the lakeside home where he first heard "Rocky Top," the song that would define his career as one half of the Osborne Brothers, one of bluegrass' most popular and innovative groups.

For decades now, country's aesthetic and ideological sensibilities have been shaped as much by the music's modern, middle-class suburban appeal as its rural working-class roots, which can make for quite the rhetorical push-and-pull (likely one of many factors that contributed to the Dixie Chicks' famed expulsion from the format over voicing distaste for the second President Bush during a U.K. concert). Working-class political speech hasn't always been recognized as political at all; it's just as likely to be dismissed as class resentment.

Dan Tyminski might have one of the most recognizable voices in acoustic music. He grew up in southern Vermont, fixated on traditional bluegrass and old country. While his friends were buying Def Leppard and AC/DC records, he was playing banjo.

Bryant Taylorr eyes the glass of milky-looking kombucha that his sister has placed on the table in front of him in an East Nashville tea shop. "I don't know what this is," he says, before taking a tiny sip, pushing the cup away and wryly expressing his skepticism: "Is it doing something to my soul? Is it cleansing it?"

Going The Distance

Sep 7, 2017

I first stumbled onto a music festival-sponsored 5K race by accident. On a humid June morning in 2013 at Manchester, Tenn.'s Bonnaroo Music and Arts Festival, I went out for a run, rounded a corner and came upon a group of festival goers safety-pinning paper race numbers to their clothes, very possibly hungover or sleep-deprived , but nonetheless motivated enough to rouse themselves from sleep and run 3.1 miles at 9 am, several hours before the day's first performances were scheduled to start. Glad to have found company, I slipped into the herd just before someone shouted, "Go!"

Nashville gospel singers the McCrary Sisters know how to make a 500-strong crowd feel like they've been personally invited to the party.

By now, we've been living with the popular archetype of the singer-songwriter for half a century or so, and multiple generations have worn their grooves into it, accumulating familiar lexicons along gender lines. We learned to expect our troubadours to work with particular personas, settings and themes, depending on whether they were women or men. Depictions of self-discovery through restless rambling were often heard as expressions of masculinity, while femininity was more closely associated with craving a settled existence and valuing intimate attachments.

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