Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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The Record
1:23 pm
Thu May 21, 2015

Rickie Lee Jones Embraces 'The Big Invisible'

Rickie Lee Jones' new album, The Other Side of Desire, will be out on June 23.
David McClister Courtesy of the artist

Originally published on Thu June 11, 2015 4:46 pm

Rickie Lee Jones needs no introduction. Seriously. The singer-songwriter is so elementally articulate, so gifted at grasping both the rawest and the most complicatedly cooked emotions in her compositions, that critical framing best comes after the experience of listening to her.

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The Record
2:36 pm
Thu May 14, 2015

Shakey Graves, Lucinda Williams And Sturgill Simpson Lead Americana Awards Nominees

Shakey Graves performs at the Americana Music Association Showcase at Gatsby's during SXSW 2014 in Austin, TX.
Erika Goldring Courtesy of the artist

The nominees for the 2015 Americana Honors and Awards were announced today at the Country Music Hall of Fame and Museum in Nashville. This year's slate shows how the definition of Americana is gently expanding to include more generationally, racially and stylistically diverse stars, while remaining grounded in its country-leaning, singer-songwriter-dominated definition of roots music.

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First Listen
11:03 pm
Sun April 12, 2015

Review: Alabama Shakes, 'Sound & Color'

The Alabama Shakes' new album, Sound & Color, comes out April 21.
Brantley Gutierrez Courtesy of the artist

Originally published on Tue April 21, 2015 11:27 am

In the six years I've lived in the region, I've developed a mantra: Southern freaks are the best freaks. For me, the word "freak" can be both positive and downright spiritual. It describes serious individualists who are tolerant of others whose own paths may diverge from their own; people whose ways of thinking connect to form an antidote to the deep conventionality that often surrounds them.

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All Songs TV
10:08 am
Wed April 8, 2015

Songs We Love: John Moreland, 'Cherokee'

John Moreland.
Kris Payne Courtesy of the artist

Originally published on Wed July 8, 2015 10:38 am

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First Listen
11:03 pm
Sun April 5, 2015

Review: Dwight Yoakam, 'Second Hand Heart'

Dwight Yoakam's new album, Second Hand Heart, comes out April 14.
Courtesy of the artist

Originally published on Tue April 14, 2015 11:56 am

When Dwight Yoakam was making his first demos in Los Angeles in the early 1980s, a producer told him that his sound was "so hillbilly, they're going to call it rock 'n' roll." He was pointing to both the rawness in the Kentucky native's sound and its wicked precision, grounded in the great virtuoso art of bluegrass; and the depth of lyrics balancing the plainspokenness of Ohio Valley people who raised him and their eloquence, born of Bible reading and family-transmitted ballads and tales. "I've done a lot of miles on hillbilly highways.

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All Songs Considered
1:02 pm
Thu April 2, 2015

Songs We Love: The National, 'Sunshine On My Back'

Dierdre O'Callaghan Courtesy of the Artist

Originally published on Wed July 8, 2015 10:42 am

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The Record
1:23 pm
Wed April 1, 2015

How To Be Alone: Musicians Confront Solitude

Sufjan Stevens' album Carrie & Lowell is out this week.
Courtesy of the artist

Originally published on Thu April 16, 2015 1:15 pm

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The Record
8:03 am
Wed March 11, 2015

Benjamin Booker Faces The Past

David Goldman Courtesy of the artist

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The Record
10:21 am
Sat February 28, 2015

Sympathy For The Devils

Josh Tillman's latest album as Father John Misty, I Love You, Honeybear, is a sincere and shocking catalog of the main character's adventures in sex and love.
Emma Tillman Courtesy of the artist

Originally published on Sat February 28, 2015 4:17 pm

It's been five years since Kanye West raised his glass to "the a--holes" in the song "Runaway," a poetic taxonomy of bad behavior that formed the emotional center of his masterwork My Beautiful Dark Twisted Fantasy. It's a sad song about romantic failure, but also a strong statement connecting West to popular music's longstanding practice of being dangerously outrageous.

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First Listen
11:03 pm
Sun February 22, 2015

Review: Andrew Combs, 'All These Dreams'

Andrew Combs' new album, All These Dreams, comes out March 3.
Melissa Madison Fuller Courtesy of the artist

Originally published on Tue June 23, 2015 10:45 pm

It ain't easy being genteel. Refinement goes against the grain of both rock 'n' roll and Top 40 pop: The former's deliberately confrontational history and the latter's need to hook the masses make it hard to cultivate a sense of balance. Indie-rock fans tend to prefer a rough edge or a weird weft in their songs, in part to prove that the makers aren't capitulating to someone else's standards. Even singer-songwriters, the designated introverts of the music world, spin dramatic, even gothic tales when they want to hush a room.

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