Baltimore Activists Use Art And The Web To Fight Blight
Filed by KOSU News in US News.
July 29, 2013
The Johnston Square neighborhood of East Baltimore used to be a thriving, working class community. But that was a long time ago.
“I don’t see kids playing games like we used to play, like the girls playing jacks and skipping jump rope,” says Richard Dean, who has lived here his whole life. “To me that is sad.”
Most of the once-tidy row houses on the block sit empty; boarded up, cornices cracking, brick walls warped from water damage. Dean says the sense of community he grew up with disappeared as the neighborhood’s population dwindled.
Since it’s peak in 1950, Baltimore has lost a third of its residents, which left a lot of neighborhoods that look like this one.
In some cases, homeowners died and no one claimed their houses. The majority, however, are owned by the city and a host of absentee landlords. There are so many that everyone just calls them “vacants.”
“You’re talking about five or more decades of really bad housing policy. And I think that’s where it all stems from,” says Carol Ott, a one-woman anti-blight campaign who runs the website Baltimore Slumlord Watch.
On a typical day, Ott walks around neighborhood blocks in some of Baltimore’s most distressed and dilapidated neighborhoods. She takes pictures and catalogs the vacant homes. Then she digs into public records to find out who owns the buildings, and posts that info online.
Ott set up the site five years ago to draw attention to a shopping center that blighted her own neighborhood. She says it was filled with squatters doing drugs, and it smelled terrible. She wanted to shame the building’s owner into fixing it up. The building’s owner, a local surgeon, called her, angry.
“Listen, just clean up your crap,” she recalls telling him. “I don’t care about you. But this is in my neighborhood, [your building] is a problem and my neighbors are sick of it. Just fix it.”
And he did — fixed it up, found a tenant — problem solved. Ott’s one-off public shame campaign worked. But then she started noticing just how many vacant homes she’d never paid any attention to – in her own neighborhood and across the city – and realized that those vacants were affecting the people who lived near them.
Since then she’s cataloged several hundred vacants. It’s become a full-time job, and this summer she launched a second site to teach residents about their rights and landlords about their responsibilities.
Now, she does this work full time; cataloging buildings and helping residents navigate city services or get the information they need to sue building owners.
“People just want help,” Ott says. “They want to feel like their no longer being ignored. They want to feel like their concerns matter.”
An Open Canvas
The city says there are about 16,000 vacants in the city, but Ott believes the number is much higher. Either way, it’s a widespread problem for the city.
But for some, it’s a canvas.
Back in Johnston Square, later in the day, a pair of street artists in their early 20s scrape lead paint from the wall of another vacant, preparing it for a mural installation.
The mural’s creator goes by the name Nether. NPR agreed to use his street name because what he does is illegal. The wall he’s chosen for his mural is clearly an interior wall. Drywall with flaking paint show that one room that was upstairs was painted blue. Another wall has pieces of wallpaper still stuck to it, but these are the only signs a row house once filled what is now just a grassy lot.
“You see where somebody used to live, you know, the interior of their house,” he says.
Putting up the mural is quick work. Nether and fellow artist Tefcon roll out six large panels and brush on thick layers of wheat paste. At one point a little boy from the neighborhood joins in.
After all the panels go up, a giant face emerges, youthful and innocent. In the foreground, Nether has drawn the wall the mural adorns and a house of cards . It’s a metaphor for the neighborhoods fragility.
“It might sound corny but it’s like the saying … ‘you only need one card to knock the house down.’”
The mural project was hatched after Nether realized he was posting art on some of the same buildings Carol Ott had cataloged.
The final touch on the mural fuses public art and public shaming.
The mural is finished off with a giant QR code. When you snap a picture with a smart phone it takes you to Ott’s Slumlord Watch website to find out who owns the building, and the politicians who represent the neighborhood.
Bernard Cook lives in the neighborhood, and walked over to check out the mural.
“I think it’s fine,” he says, emphatic. “[It] beautifies the neighborhood. You know, like he said, gets the slumlords to beautify their properties. Yeah that’s pretty good.”
Sixteen murals like this will grace the walls of vacants around the city by the end of the summer, all drawn by a handful of artists to try to beatify the neighborhoods, and maybe make Baltimore deal with its blight problem.. [Copyright 2013 NPR]