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A Lanky Teenager On The Path To (Super) Power

Filed by KOSU News in Art & Life.
July 3, 2012

I know you’re skeptical. Tobey Maguire’s Spider-Man was last slinging webs just five years ago. Broadway’s Spider-Man started singing about webs less than two years ago. Now here comes another Spider-dude: This Andrew Garfield guy. So he’d better be really something, right? Well, as it happens, he is.

Garfield’s no younger than Maguire was when he first played Peter Parker — the slightly stir-crazy kid who gets bitten by a radioactive spider and starts climbing the walls more literally than most high-schoolers — but Garfield’s a lot more appealing, and is also one thing that Maguire kinda wasn’t. He’s convincing as a teenager.

Skinny and lanky, as if he’s just shot up three inches and is still growing into the extra height, Garfield’ s Peter Parker is a skateboarder, so suddenly having sticky fingers and toes definitely comes in handy. Super-strength, too, though you get the sense that he’d trade it for a little super-confidence around the girl he has a crush on. (Of course, super-shyness has its appeal, too.)

Garfield and Emma Stone are terrific together, and they’re surrounded by performers with the acting chops to root a comic-book narrative in the real world — Sally Field and Martin Sheen as Aunt May and Uncle Ben, Rhys Ifans as a one-armed doctor who has good reason to wonder about the ability of gekkos to regrow an amputated tail — not just to repair himself, but to create “a world without weakness.”

Grand plans, those, to go with a new back-story about Peter’s scientist dad, plus new gadgetry for web-slinging and new subtext about abandonment issues.

All of which means director Mark Webb — yes, that’s his real name — isn’t just reweaving the origin tale spun by Sam Raimi 10 years ago. Webb’s only previous feature, a quirky little indie romance called 500 Days of Summer, hardly seems to qualify him to make a special-effects blockbuster, but a youthfully quirky vibe turns out to just right for the story’s romance, and it doesn’t hurt when Webb is, say, imagining the kinship that crane operators might feel for a guy who swings from tall buildings.

It’s only when the rules of the genre require that our hero meet a giant lizard atop a skyscraper that The Amazing Spider-Man gets a little less amazing. There are only so many ways to bring the characters back down without bringing the audience down.

Still, this origin story has had enough nice surprises by that point that even those who like their genre plotlines very taut will be inclined to cut The Amazing Spider-Man a little slack. [Copyright 2012 National Public Radio]

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