Rapper’s Imprisonment Tests Moroccan Reforms
Filed by KOSU News in World News.
January 6, 2012
Morocco has been called one of the winners of the Arab Spring. The country’s young king, Mohammed VI, offered a new constitution and early elections, taking the steam out of a protest movement that rose up last February.
But the arrest and trial of an artist who writes provocative rap songs shows that there seem to be limits to the reforms.
The rap songs of 24-year-old Mouad Belrhouate are popular in Morocco, even more so after the four months he has spent in jail.
He is better known as El-Haqed — “the defiant one” – which describes lyrics explicitly critical of Morocco’s social ills and the country’s monarch. It’s an attitude that also describes the young protesters of the February 20th protest movement. His supporters charge this trial is an attempt to silence him — and them.
Arrest Sends Political Message
Even his youngest fans come to the courthouse in Casablanca, Morocco, to support him.
Rihab Alame, an 11-year-old girl, knows the words to all his protest songs. She shows up for every court appearance, despite four postponements of Belrhouat’s trial.
He was arrested in an unjust way, she says. He did nothing, she continues, but they took him to prison.
The activists of the February 20th movement gather at the courthouse, too. Abdullah Abaakil says the arrest sends a political message.
“He writes protest songs, but I don’t think he was arrested for that,” Abaakil says.
Officially, the rapper’s songs have nothing to do with his arrest. He was jailed on an assault charge after a brawl outside his house. Supporters say it was a setup. They add it is unusual that the attorney general of Casablanca is heading up the prosecution team for a simple assault charge. Belrhouat is in jail because he’s an activist, says Abaakil.
“He’s very popular in his neighborhood. And the regime [doesn't] want to see us as a movement win people’s hearts in the poor suburbs in Casablanca,” Abaakil says.
The local media hasn’t covered the trial, but word has spread, and with each postponement, the crowd of supporters grows larger. Sophie Hilali wears a badge with a picture of the rapper.
“When people went to the streets [on] Feb. 20, they used his songs. He’s the image of this movement,” she says.
Lose-Lose Situation For Regime
The courtroom was packed when Belrhouat was finally brought before the judge. He’s a slight young man surrounded by human rights lawyers who have volunteered to defend him. Judges in Morocco are appointed by the king and there’s a widespread belief that rulings are not impartial, but rather reflect the wishes of the leadership.
That’s why there is so much interest in the case, says Karim Tazi, a businessman and political activist.
“This case is a high-profile case. It’s a symbolic case. He’s only an artist – and they want to silence him,” Tazi says.
In a way, this trial is also a test of the power of a protest movement that won concessions from the king after mass demonstrations. Morocco has a new constitution. Elections in November made moderate Islamists the leading party in the government.
That party has promised to revamp Morocco’s justice system. Human rights groups urged the new ministers to investigate the charges against a political rap star.
Tazi says that it’s a loss for the regime either way.
“If they free him, he is going to come back and sing again. If they keep him in jail, they are adding fuel to the anger of the movement and bringing the movement back to life, so they are losing anyway,” Tazi says.
After another postponment this week, Belrhouat is still in jail – but his songs sell better than ever. With his arrest, the regime has helped create a superstar. [Copyright 2012 National Public Radio]